Numismatik: Çağlar Boyunca Sikkenin Yolculuğu!

Julia Augustaexamines the socio-political impact of coin images of Augustus' wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on　the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia's power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BC, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome's First Empress on the Coins of the Roman Empirewill be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology. 　 insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome's First Empress on the Coins of the Roman Empirewill be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology. 　

Dedicated to Getzel M. Cohen, a leading expert in Seleucid history, this volume gathers 45 contributions on Seleucid history, archaeology, numismatics, political relations, policy toward the Jews, Greek cities, non-Greek populations, peripheral and neighboring regions, imperial administration, economy and public finances, and ancient descriptions of the Seleucid Empire. The reader will gain an international perspective on current research.

This book is not a standard coin catalogue, but it focuses on quantities and percentages of the mysterious 5950 sphere images on Roman (76BC-AD 476) coin reverses, and a few Greek coins. This research identifies which Emperors, Deities and Personifications are most frequently shown with a sphere, during reigns and eras, and determines the political, cultural, religious and propaganda trends associated with the coin sphere images, and provides a variety of new findings. The book has 257 illustrations of spheres shown on Roman and a few Greek coins, as well as 109 images of statues, reliefs, mosaics, and other ancient art. Consider that the ancient Greeks (620 BC-30 BC) had the first astronomers in Europe (influenced by Egyptian and Babylonian astronomy) who created the celestial and terrestrial sphere theories, including the popular geocentric theory (Earth is the centre of the Universe). But at that time the Greeks very rarely showed sphere images on their coins - far less than 1%! In comparison, the later Romans during 76 BCAD 476 issued coin reverse sphere types as 15% of their total coin types, and therefore millions of these important coin sphere types were minted. The author explores Constantine's BEATA TRANQVILLITASSphere Reverses (AD 321 - 324) and offers a new interpretation of Christian Trinity symbolism that opposes Arianism. Starting in the late 4th century, the Roman religion began to transfer to Christianity, and coins promoted Emperors holding a Christian cross on a globe or a winged Victory/Angel also holding a globus cruciger.At the end of the book, the Epilogue shows the continuous worldwide use (from 5th to 21st century) of sphere images on coins, reliefs, sculptures, astronomical models, drawings, paintings and large monuments, and some of them suggest that Imperial Roman sphere coins created a long legacy.

Before Alexander, the Near East was ruled by dynasts who could draw on the significant resources and power base of their homeland, but this was not the case for the Seleukids who never controlled their original homeland of Macedon. The Early Seleukids, their Gods and their Coins argues that rather than projecting an imperialistic Greek image of rule, the Seleukid kings deliberately produced images that represented their personal power, and that were comprehensible to the majority of their subjects within their own cultural traditions. These images relied heavily on the syncretism between Greek and local gods, in particular their ancestor Apollo.   The Early Seleukids, their Gods and their Coins examines how the Seleukids, from Seleukos I to Antiochos IV, used coinage to propagandise their governing ideology. It offers a valuable resource to students of the Seleukids and of Hellenistic kingship more broadly, numismatics, and the interplay of ancient Greek religion and politics.

Coinage and Money in Medieval Greece 1200-1430, by Julian Baker, is a monetary history of medieval Thessaly, mainland Greece and the Peloponnese, Epiros, and adjacent islands. The central focus of the book is the record of coin finds and coin types, which this study presents in a fully developed political, socio-economic, military, and archaeological/topographical context.In medieval Greece there is a strong symbiosis between monetary and historical developments. The general level of documentation is also vastly superior to the preceding middle Byzantine period. Volume Two presents and evaluates these data. Volume One offers analyses on major historical themes, which demonstrate that the monetary sources can hold narratives in their own rights, complementing and at times contradicting the established accounts.