Constantinople and the Coup d'État in Palaiologan Byzantium on JSTOR
CHRISTOPHER WRIGHT, Constantinople and the Coup d'État in Palaiologan Byzantium, Dumbarton Oaks Papers, Vol. 70 (2016), pp. 271-292
Μεγάλη διαδικτυακή εγκυκλοπαίδεια της Μικράς Ασίας
The Palaiologoi was the last Byzantine dynasty, which preserved its position on the throne of Constantinople for more than all the other dynasties (1259-1453), some years more than the long-lived Macedonian dynasty (867-1056).
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Constantinople after 1261 | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History
In 1261, the Greeks regained control of Constantinople from the Crusaders, who had assaulted the city in 1204. Michael VIII Palaiologos (r. 1259-82), hailed as the New Constantine, devoted much of his efforts to rebuilding the capital, restoring damaged churches, monasteries, and public buildings.
The Byzantine Family of Kantakouzenos: Some Addenda and Corrigenda
https://www.jstor.org/stable/1291347 The Dumbarton Oaks Papers (DOP) were founded in 1941for the publication of articles relating to late antique, early medieval, andByzantine civilization in the fields of art and architecture, history, archaeology,literature, theology, and law. Publication was suspended during World War II,and resumed in 1946 as collections of occasional papers, primarily by facultymembers resident at the research institute.
Byzantium: Faith and Power (1261-1557) | MetPublications | The Metropolitan Museum of Art
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions.
The Religious Relationship between Byzantium and the West | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History
During the Late Byzantine period, church authorities made efforts to unify the Latin and Greek churches. After the Fourth Crusade of 1204, the break between the two churches was considered definitive. For two centuries, various attempts were made to reconcile the breach, but the Latin domination of Byzantium and certain theological issues rendered these aspirations ineffective.
Frescoes and Wall Painting in Late Byzantine Art | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History
Fresco painting from the later Byzantine period reveals much about the mobility of artistic techniques and styles. The restoration and decoration of the Chora Monastery in Constantinople (1316-21), funded by the scholar Theodore Metochites, conveys the great skill and versatility of Byzantine artists.
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